K\u0131\u015f Uykusu filminde Ayd\u0131n, k\u0131z karde\u015fine, \u2018\u2019Valla ben evim, odam, kitaplar\u0131m neredeyse kendimi oral\u0131 hissederim; ba\u015fka bir yere de ihtiya\u00e7 duymam. Ya bu insan\u0131n kendine bir d\u00fcnya yaratabilme, kendini oyalayabilme yetene\u011fi ile ilgili bir \u015fey. S\u0131k\u0131lmak ne demekmi\u015f ya? S\u0131k\u0131lmak i\u00e7in hi\u00e7bir zaman bir saniye vaktim olmad\u0131 benim. Ayr\u0131ca s\u0131k\u0131lmak denen duygunun son derece l\u00fcks bir duygu oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum bug\u00fcnk\u00fc \u015fartlar alt\u0131nda.\u2019\u2019, der.<\/p>\n\n\n\n
Nietzsche’de \u201c\u00fcstinsan\u201d kendini ve insan do\u011fas\u0131n\u0131 a\u015fand\u0131r, insan olman\u0131n esaretinden kurtulan, \u00f6zg\u00fcrle\u015fendir. \u00dcstinsan olmak i\u00e7in ki\u015fi kendi kaderini yarat\u0131r yani bu d\u00f6n\u00fc\u015f\u00fcm, bireysel bir d\u00f6n\u00fc\u015f\u00fcmd\u00fcr. \u00dc\u00e7 a\u015famadan olu\u015fan bu d\u00f6n\u00fc\u015f\u00fcm\u00fcn a\u015famalar\u0131 \u015funlard\u0131r: deve, aslan ve \u00e7ocuk.<\/p>\n\n\n\n
D\u00f6n\u00fc\u015f\u00fcm\u00fcn ilk a\u015famas\u0131nda, yani deve a\u015famas\u0131nda ki\u015fi, y\u00fcklenebildi\u011fi t\u00fcm y\u00fckleri s\u0131rt\u0131na y\u00fcklemelidir yani hayattan ka\u00e7mamal\u0131d\u0131r. \u00d6l\u00fcmle, yaln\u0131zl\u0131kla, anlams\u0131zl\u0131kla m\u00fccadele etmelidir. Bu m\u00fccadele ki\u015fiye g\u00fc\u00e7 ve diren\u00e7 kazand\u0131racakt\u0131r. B\u00f6ylece ikinci a\u015fama, yani aslan a\u015famas\u0131na ge\u00e7ebilir.<\/p>\n\n\n\n
Nietzsche, devenin aslan olmadan \u00f6nce “\u0131ss\u0131z \u00e7\u00f6l”e girmi\u015f oldu\u011funu s\u00f6yler. Y\u00fcklendi\u011fi y\u00fckler onu hayat\u0131 sorgular hale getirmi\u015f, toplumun d\u0131\u015f\u0131na g\u00f6t\u00fcrm\u00fc\u015ft\u00fcr. Yani erdemi arayan deve varolu\u015fsal bir sanc\u0131ya tutulmu\u015ftur. Deve bu a\u015famada ya kendi hayat\u0131na son verecek ya da \u00f6zg\u00fcrle\u015fecektir. \u00d6zg\u00fcrle\u015fme, yani aslan olma ad\u0131m\u0131nda toplum taraf\u0131ndan dayat\u0131lan gelenekleri ve erdemleri yok etmelidir. Bu gelenek ve erdemleri “ejderha” temsil eder. Devenin g\u00f6rev a\u015fk\u0131 ejderhan\u0131n kar\u015f\u0131s\u0131nda durmas\u0131na engel oldu\u011fundan deve, aslana d\u00f6n\u00fc\u015fmelidir. Cesaretin, \u00f6fkenin simgesi aslan olup g\u00fcc\u00fcne \u00e7abalar\u0131yla ula\u015ft\u0131\u011f\u0131nda geleneksel olan her \u015feyi reddetmelidir. Kendi de\u011ferlerini yaratmal\u0131d\u0131r.<\/p>\n\n\n\n
\u00dc\u00e7\u00fcnc\u00fc d\u00f6n\u00fc\u015f\u00fcm ise ruhun bir \u00e7ocuk olmas\u0131d\u0131r. Aslan, unutmak i\u00e7in tekrar d\u00f6n\u00fc\u015f\u00fcme u\u011framal\u0131d\u0131r. \u00c7\u00fcnk\u00fc bu de\u011fi\u015fimler onun ruhunu karma\u015f\u0131kla\u015ft\u0131rm\u0131\u015ft\u0131r ve bu y\u00fczden zihnini ge\u00e7mi\u015ften ar\u0131nd\u0131rmal\u0131d\u0131r. \u00c7ocuk, hayatla oynamay\u0131 se\u00e7er. Saf yarat\u0131c\u0131l\u0131k da buradan meydana \u00e7\u0131kar. \u00c7ocuk ruhunda birey kendi ger\u00e7ekli\u011fini kendi istemleriyle yarat\u0131r. B\u00f6ylece kendini a\u015fan ruh, \u00fcstinsana ula\u015f\u0131l\u0131r ve \u00f6zg\u00fcrl\u00fc\u011fe kavu\u015fur.<\/p>\n\n\n\n
Modern d\u00fcnyan\u0131n t\u00fcm de\u011fer yarg\u0131lar\u0131n\u0131 kenara itebilme cesareti g\u00f6steren ve kendi d\u00fcnyas\u0131n\u0131 yaratan Hirayama, kendinden beklenen t\u00fcm toplumsal rollerden soyutlanm\u0131\u015f bir \u015fekilde, kendi yaratt\u0131\u011f\u0131 k\u00fc\u00e7\u00fck rutinler d\u00fcnyas\u0131nda, bunlardan zevk alarak ve hayat\u0131n getirdi\u011fi k\u00fc\u00e7\u00fck s\u00fcrprizleri bir \u00e7ocuk masumlu\u011fuyla i\u00e7tenlikle fark edip, onlardan keyif alarak ve her \u015feyi oldu\u011fu gibi kabullenerek ya\u015famay\u0131 \u2018\u00f6\u011frenmi\u015ftir.\u2019<\/p>\n\n\n\n
Ne ge\u00e7mi\u015fte kalm\u0131\u015ft\u0131r, ne de gelecek kayg\u0131s\u0131yla bir \u015feylere yeti\u015fmenin derdindedir.
\u2018Bir dahaki sefer, bir dahaki seferdir. \u015eimdi, \u015fimdidir!\u2019<\/p>\n\n\n\n
Filmin ele ald\u0131\u011f\u0131 konu, herhalde \u015fu an modern insan\u0131n tam olarak anlayamad\u0131\u011f\u0131 ve \u00e7\u00f6zmekten olduk\u00e7a uzak oldu\u011fu bir konu. Mutluluk nedir ve nerededir? Bunun cevab\u0131 ki\u015fiden ki\u015fiye de\u011fi\u015fmekle birlikte, asl\u0131nda sorun, mutluluk sand\u0131\u011f\u0131m\u0131z \u015feylerin, arzu etmek ve ona ula\u015fmaya \u00e7al\u0131\u015fmak, sonras\u0131nda da yeni bir arzu nesnesi yarat\u0131p onun pe\u015finde ko\u015fmay\u0131 mutluluk san\u0131yor olmam\u0131z. Deney farelerinin yuvarlak d\u00f6neme\u00e7lerde s\u00fcrekli ko\u015fturmas\u0131 gibi bir \u015feylere ula\u015fmak i\u00e7in \u00e7abal\u0131yoruz fakat durup kendimizi dinledi\u011fimizde, i\u00e7imizdeki o bo\u015flu\u011fu dolduracak \u015feyin, o an ula\u015fmaya \u00e7abalad\u0131\u011f\u0131m\u0131z \u015fey olmad\u0131\u011f\u0131n\u0131 fark ediyoruz ve yine hayal k\u0131r\u0131kl\u0131\u011f\u0131yla sonlanacak ba\u015fka bir objenin pe\u015fine tak\u0131l\u0131yoruz. Bunlara bir\u00e7ok \u00f6rnek verebiliriz. \u0130\u015f ba\u015far\u0131s\u0131, mutlu bir evlilik, yeni bir araba, yeni bir ev\u2026 akl\u0131m\u0131za ne gelirse.<\/p>\n\n\n\n
\u2018\u2019D\u00fcnyada hepimiz sallant\u0131l\u0131, korkuluksuz bir k\u00f6pr\u00fcde y\u00fcr\u00fcr gibiyiz. Tutunacak bir \u015fey olmad\u0131 m\u0131 insan yuvarlan\u0131r. Tramvaylardaki tutamaklar gibi. Uzan\u0131r tutunurlar. Kimi zenginli\u011fine tutunur; kimi m\u00fcd\u00fcrl\u00fc\u011f\u00fcne; kimi i\u015fine, sanat\u0131na. \u00c7ocuklar\u0131na tutunanlar vard\u0131r. Herkes kendi tutama\u011f\u0131n\u0131n en iyi, en y\u00fcksek oldu\u011funa inan\u0131r.\u2019\u2019 (Aylak Adam, Yusuf at\u0131lgan)<\/p>\n\n\n\n
mesele bir tutamak bulup s\u0131ms\u0131k\u0131 sar\u0131l\u0131p b\u0131rakmamak m\u0131, yoksa tutamaklar\u0131 tamamen b\u0131rak\u0131p, sallant\u0131l\u0131 bu d\u00fcnyada bizi dengede tutacak, d\u0131\u015far\u0131dan hi\u00e7bir \u015feyin bizi sarsamayaca\u011f\u0131 denli kuvvetli bir \u00e7apa atabilmek mi?<\/p>\n\n\n\n
Hirayama, d\u00fcnyan\u0131n belki de en tercih edilmek istenmeyecek mesle\u011fini yaparken, kitaplar\u0131, kasetleri, foto\u011fraf makinesi ve gereklilikler d\u0131\u015f\u0131nda neredeyse hi\u00e7bir \u015feyi olmayan evinde ya\u015fay\u0131p; kendi yaratt\u0131\u011f\u0131 d\u00fcnyas\u0131nda; yapraklar\u0131 temizleyen ya\u015fl\u0131 kad\u0131n\u0131n s\u00fcp\u00fcrgesinin h\u0131\u015f\u0131rt\u0131s\u0131ndan, sabahlar\u0131 arabaya binerken her g\u00fcn ald\u0131\u011f\u0131 \u2018boss\u2019 marka kahvesinden, eski kasetlerinden dinledi\u011fi m\u00fcziklerden, g\u00fcne\u015fin duvarda yaratt\u0131\u011f\u0131 a\u011fa\u00e7 g\u00f6lgesinden, onunla xox oynayan yabanc\u0131dan, molada a\u011fa\u00e7lar\u0131n alt\u0131nda i\u00e7ti\u011fi s\u00fctten keyif alabilmeyi beceren ve bunlar\u0131 bir dert olarak de\u011fil, her \u015feyiyle kabullendi\u011fi hayat\u0131n ona sundu\u011fu g\u00fczellikler oldu\u011funu g\u00f6rebilmesiyle belki de d\u00fcnyan\u0131n en mutlu insan\u0131.<\/p>\n\n\n\n
m\u00fckemmel g\u00fcnlerin ba\u015flang\u0131c\u0131: kendine yetebilmek, yaln\u0131zl\u0131ktan keyif alabilmek, bir ba\u015fkas\u0131n\u0131n tercihlerinden ba\u011f\u0131ms\u0131z bir \u015fekilde hayat kurabilmek ve mutlulu\u011fun ne olaca\u011f\u0131n\u0131n karar\u0131n\u0131 kendinin verdi\u011finin fark\u0131na varmak.<\/p>\n","protected":false},"excerpt":{"rendered":"
K\u0131\u015f Uykusu filminde Ayd\u0131n, k\u0131z karde\u015fine, \u2018\u2019Valla ben evim, odam, kitaplar\u0131m neredeyse kendimi oral\u0131 hissederim; ba\u015fka bir yere de ihtiya\u00e7 duymam. Ya bu insan\u0131n kendine bir d\u00fcnya yaratabilme, kendini oyalayabilme yetene\u011fi ile ilgili bir \u015fey. S\u0131k\u0131lmak ne demekmi\u015f ya? S\u0131k\u0131lmak i\u00e7in hi\u00e7bir zaman bir saniye vaktim olmad\u0131 benim. Ayr\u0131ca s\u0131k\u0131lmak denen duygunun son derece l\u00fcks bir duygu oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum bug\u00fcnk\u00fc \u015fartlar alt\u0131nda.\u2019\u2019, der. Nietzsche’de \u201c\u00fcstinsan\u201d … <\/p>\n","protected":false},"author":1,"featured_media":224,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-223","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sinema","latest_post"],"_links":{"self":[{"href":"http:\/\/fatihbasaran.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/fatihbasaran.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/fatihbasaran.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/fatihbasaran.com.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/fatihbasaran.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=223"}],"version-history":[{"count":1,"href":"http:\/\/fatihbasaran.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/223\/revisions"}],"predecessor-version":[{"id":226,"href":"http:\/\/fatihbasaran.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/223\/revisions\/226"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/fatihbasaran.com.tr\/index.php?rest_route=\/wp\/v2\/media\/224"}],"wp:attachment":[{"href":"http:\/\/fatihbasaran.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/fatihbasaran.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=223"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/fatihbasaran.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}